V. Shantaram was a legendary figure in Indian cinema, leaving an indelible mark through his innovative techniques, socially conscious themes, and artistic direction. His career, which spanned several decades, demonstrated a unique approach to filmmaking that has secured his legacy as one of India's most influential filmmakers.

Born as Shantaram Vanakudre on November 18, 1901, in Kolhapur, Maharashtra, V. Shantaram's formative years were steeped in a rich cultural environment. Kolhapur was known for its artistic and progressive traditions, which profoundly influenced his creative sensibilities. His family background, though modest, instilled in him a sense of responsibility and a drive to succeed. At a young age, Shantaram joined the Gandharva Natak Mandali, where he received initial training in acting, dance, and music. This experience laid the foundation for his future career in the performing arts. 

In 1920, Shantaram's association with the Maharashtra Film Company marked a significant turn in his career. Under the guidance of Baburao Painter, he gained practical experience in various aspects of filmmaking, including scriptwriting, set design, acting, and editing.

Shantaram’s career truly blossomed at Prabhat Film Company, where he contributed significantly to the evolution of Indian cinema. Established in 1929, Prabhat was the result of Shantaram and his colleagues leaving the Maharashtra Film Company. During his tenure from 1929 to 1942, he directed 17 of the 29 films produced by the company, showcasing his directorial talent and vision. Shantaram embraced technological advancements, notably using the "Audio-Camex" technique in "Ayodhecha Raja". This innovative approach, which involved separate recording of sound and images, significantly enhanced the film's quality and editing process. 

Shantaram's films at Prabhat often tackled pressing social issues, reflecting his commitment to using cinema as a medium for social reform. Kunku (1937) raised its voice against old-age marriages, challenging prevailing social norms. Manus (1939) explored the lives of marginalized individuals, this film compassionately depicted the lives of sex workers, prompting viewers to reflect on societal attitudes. Shejari (1941) dealt with Hindu-Muslim conflict, Amar Jyoti as another significant contribution, it became the first Indian film to participate in an international film festival. Amritmanthan demonstrated his ability to create impactful narratives, Amritmanthan achieved remarkable success, running for thirty weeks in Mumbai and elevating Prabhat's name. He also contributed significantly to Sant Tukaram, though Damle and Fattelal were in charge of directing. Shantaram conceived the iconic logo for Prabhat, which became a timeless emblem in Indian cinema.

In 1942, Shantaram left Prabhat and founded Rajkamal Kalamandir, marking a new chapter in his illustrious career. At Rajkamal, he achieved the zenith of his creative powers, producing several iconic movies that further cemented his legacy in Indian cinema. Do Aankhen Barah Haath, as a testament to his directorial brilliance, Do Aankhen Barah Haath received the prestigious Golden Bear award at the Berlin International Film Festival. Jhanak Jhanak Payal Baaje, celebrating Indian classical dance, Jhanak Jhanak Payal Baaje achieved both critical and commercial success, winning accolades for best picture, direction, art direction, music, sound recording, and editing. Dr. Kotnis ki Amar Kahani demonstrated his versatility, Dr. Kotnis ki Amar Kahani was critically acclaimed and received an award for screenwriting at the Cannes Film Festival. He also used Stereo recording technique in ‘Jal Bin Machhali Nritya Bin Bijli’, which proved to be the first of its kind in the country.

V. Shantaram's contributions were recognized throughout his life and posthumously. Acharya P. K. Atre honored Shantaram with the title "Chitrapati". Nagpur University honored Shantaram with a Doctorate. In recognition of his lifetime achievements, Shantaram received the Dadasaheb Phalke Award, the highest honor in Indian cinema. Posthumously, he was awarded the Padma Vibhushan by the Indian government in 1992, further underscoring his immense contributions. Shantaram was a founding member of several film industry organizations, demonstrating his commitment to the growth and development of Indian cinema.

V. Shantaram's personal life was complex. He married three times, first to Vimlabai, then to Jayshree, and later to Vijaya Deshmukh (Sandhya). He had children from his first two marriages and maintained a close relationship with his family. His third wife, Sandhya, was a prominent actress who starred in many of his films. V Shantaram passed away on 25th October 1990 at the age of 89 due to old age 

V. Shantaram's legacy endures through his films, which continue to inspire and resonate with audiences. His commitment to social themes, technological innovation, and artistic excellence has left a lasting impact on the Indian film industry, making him a true legend of cinema. His "Shantaram touch" became well-known, where he used symbolic direction in his films. His contributions to Indian cinema have cemented his place as one of the most influential filmmakers in the history of Indian cinema.